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・ The Red House (Trinidad and Tobago)
・ The Red House Mystery
・ The Red Hussar
・ The Red in the Sky Is Ours
・ The Red Inn
・ The Red Jumpsuit Apparatus
・ The Record (Sherbrooke)
・ The Record (Stockton)
・ The Record (Troy)
・ The Record Company
・ The Record Guide
・ The Record Herald
・ The Record Music Magazine
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・ The Record of a Tenement Gentleman
The Record of Singing
・ The Record of Tea
・ The Record of the Blue Mountains
・ The record of the nine
・ The Record of the Year
・ The Record Play
・ The Record-Courier
・ The Record-Courier (Baker City)
・ The Recorder (Massachusetts newspaper)
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・ The Recorder and Times
・ The Recording Angel
・ The Recording of Mr Beast
・ The Recording of the Israel Declaration of Independence
・ The Recordings of the Middle East


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The Record of Singing : ウィキペディア英語版
The Record of Singing
''The Record of Singing'' is a compilation of classical-music singing from the first half of the 20th century, the era of the 78-rpm record.
It was issued on LP (with accompanying books) by EMI, successor to the British company His Master's Voice (better known as HMV) — perhaps the leading organization in the early history of audio recording.
The project was accompanied initially by two illustrated books, containing singers' biographies and appraisals, which were published in London, by Duckworth, in the late 1970s. It covers the period running from circa 1900, when the earliest recordings were made, through until the early 1950s, when the last 78-rpm records were produced. Singers are divided into groups arranged according to national 'schools' and ''fach'' or voice type. In practice, this means that there are separate Italian, German, French, Anglo-American and East European classifications.
Rather than concentrating on famous singers whose recordings are widely available elsewhere, ''The Record of Singing'' includes a large number of lesser-known artists in order to give a broad picture of the contemporary operatic world. Vocal artists of such lasting renown as Enrico Caruso, Nellie Melba, Titta Ruffo, Feodor Chaliapin, Kirsten Flagstad, Rosa Ponselle and Maria Callas are thus represented but by only a few recordings in each case. Nonetheless, no such compilation can ever be exhaustive in scope, and the project has been criticised from time to time since its initial release for overlooking a few important singers who, while largely forgotten today, were highly talented performers who once enjoyed substantial careers and made records of enduring artistic merit.
==Origins==

The original idea for the series came from the collector Vivian Liff, who chose the recordings used in the first two volumes, almost all of which came from the Stuart-Liff Collection, as well as the photographs of the singers which were published in the books that accompanied volumes 1 and 2 of the project. Michael Scott was asked to write these two books. They contained brief singers' biographies, too and featured a critical (sometimes controversial) commentary (see below) about their accomplishments, are gleaned from certain discs they had made. Bryan Crimp of EMI was responsible for the transfers of the original recorded material on to LP. Keith Hardwick, however, was responsible for the transfers, etc., on the final two volumes of the survey (which were not accompanied by books).

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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